User blog comment:RoninTheMasterless/Netflix Presents: Public Defender/@comment-6548012-20160217142413/@comment-6548012-20160217181106

Thanks a lot for the compliment; about that I'd like to say that I may not be able to catch up and the dozen of blog posts you made, that's why I started with the most recent. You're welcome, it's a really nice thing to see from you. Oh, of course. I didn't think about the Socratic option, that was pretty subtle&mdash;I see, I understand I got it wrong, if you use Socratic standards, that would be the wisest option to do what you are doing. Though I was really hyped for this figure, I'll admit it.

So Sloan and Steve were brothers-in-arms, that's pretty cool, indeed. No problem about that, the context in which you've written your blog post matters, and you've done a lot for a guy whose immediate desire is to go to sleep. I guess there will be an addendum, when you'll add information.

So you're going for a fully realistic approach with this one? You had bought me in with the base concept, but now you're keeping me, that's for sure. Such a cataclysm in your style, even in a one-shot, that's something I want to see. Public Defender will surely increase your scope of writing, that's some tough stuff.

Your Knight Owl/Catwoman relation is good (and I'm never saying the opposite,) but it's not-so-important just yet. They've been setup in a way similar to Batman, yet a little more real. It's not two folk fucking each other's brains out because they happened to be in a tense situation together not too long ago, but it's not the kind of relation that lasts. And what I think you want to do with Public Defender, is a relation that lasts, because that's how you will have her be a well-established important character so that the series isn't focused on this one guy that is one vigilante in a world where there are already a lot. And if you're gonna have the bloke be romantically involved with her best friend, you're gonna have to wake up soon. Though, if you want my advice, do not kill her. Or at least, not in the early episodes, because that's just too convenient, too cliché, and too stupid, you'd waste potential, you'd waste your story, and you'd waste what you previously established, because you need to give everyone time to appreciate what is happening first&mdash;and if you want to push the viewer out of their comfort zone and attack their morale, then, you're gonna have to step up your game, because just killing one character he is attached to isn't so great, especially if nobody knows the gal well in the first place.

I kinda saw that coming, given the guy's morality, and it's good. You're staying true to what a real life situation is like. You're not having him be some sort of emotional shit who renounces his principles just 'cause he knew some guy when a war broke out, that's cool. You haven't developed him a lot yet, but you use some sense, and that's all you need to asked for.

Thanks a lot, mate, that's nice. I should write some more either right away or tomorrow. Right now, there's nothing so important there is to talk about, and I prefer to wait until the first draft of the pilot is out to ask questions. Because you're gonna want to be kinda rough about your characters' history if you're not already writing the episodes, that's how you get confused and make mistakes. You can just pick up the Spider-Man and Tarantula pages I had made before, full of discrepancies. I'll be happy to see your additions to the mix.